​It's the best Marvel film to date, and an achievement in every possible category.

Marvel’s Black Panther is more than just a movie — it’s a mic drop with a reverberating, triumphant thump that serves as a wake-up call for anyone still sleeping on the cinematic potential of superhero movies. It’s as good as you’ve heard, it’s better than you expect, and it accomplishes more for its genre than anyone could have reasonably predicted, even with the well-earned hype around its success.

Trying to describe Black Panther feels like performing an afrocentric Stefon sketch from Bill Hader’s SNL years: “This movie has everything. Outstanding performances from its main cast, important magnets, Michael B. Jordan’s cosmetically scarified torso, a wig toss, frank discussions of isolationist politics, and a smoochy rhino.” Black Panther is so packed with excellence that it could easily have been overwhelming, but it’s tied together with smart world-building that makes sense of every wondrous thing on screen, and it’s through that world-building that the movie transcends its parts to become a remarkable whole.

One of the more striking things about Black Panther is that, despite being the 18th movie in the Marvel Cinematic Universe, it stands easily on its own. Where previous Marvel films leaned on the audience’s knowledge of the MCU's shared plot and mined laughs from in-jokes or references to other films, Black Panther’s characters barely regard the expanding MCU plot and focus instead on the relationships and issues facing their family, friends, and nation. This is a good thing, as Black Panther has the unenviable job of introducing watchers to a fictional country with centuries of history, as well as an entirely new (and delightful) set of heroes, most of whom have never appeared on screen before. It’s a pleasure to admit that Black Panther does this well, and the character moments between Black Panther/T’challa (Chadwick Boseman), his sister Shuri (Letitia Wright), his general Okoye (Danai Gurira), and even the villain (Michael B. Jordan, of the aforementioned torso), clearly paint the picture that these are real people with backstories and personalities whose interactions are grounded in the super-reality in which they live.

Black Panther also gives audiences its best-ever Marvel villain in Erik “Killmonger” Stevens. He’s not the biggest or the baddest villain in the Marvel canon, but he is absolutely its most complex, most interesting, and surprisingly — its most relatable. Many of the people watching Black Panther will listen to his reasoning and nod along, recognizing that this supposed bad guy has some valuable points to make even if his methods are despicable. Michael B. Jordan’s performance as Killmonger is an extension of his previous work with director Ryan Coogler, particularly in 2015’s Creed; in both films the actor and director labored to produce characters whose actions speak to a history of pain both intimate and political. This kind of complexity is quickly becoming Jordan’s specialty, and as Killmonger he flexes his skill at performing it.

​Another thing Black Panther has that many movies lack regardless of their genre is a genuine sense of responsibility in dealing with the social issues that drive its plot. Its handling of the implied realities of the wealthiest country in the world being African and xenophobic takes both sides of an isolationist perspective into account, an issue that in the wrong hands could have had a disastrous message. It also, as an American production, addresses the black American experience throughout and asks the necessary questions about how much of the country’s legacy of slavery, discrimination, and continued racism has to do with Wakandan indifference. To say more would be to spoil the plot of the movie, but suffice it to say that if there is one Marvel movie that can leave you thinking about the geopolitical ramifications of a hidden, global, and most important, black superpower, it’s this one.

Black Panther is only the second mainstream superhero movie to star a black hero (the honor of the first goes to 1998's Blade), but its impact on the MCU and its genre will surely surpass the mere fact of its existence. It is the best of Marvel’s offerings so far, taking only the best of its predecessors (there’s a healthy dose of Thor: Ragnarok’s bizarre humor, The Winter Soldier’s focus on friendship and loss, and Iron Man’s top-of-the-world swagger) and remixing them into a celebration of black excellence and outstanding filmmaking. See Black Panther in theaters. See it twice if you want to! With a whole new Marvel world to explore, you’re going to want to stay in Wakanda...forever.

Tired of searching tamil movie reviews in Google & Youtube! still not find the right one.. enough of it. Now find movie reviews all in one place. Check out what experts says about it.

Sketch, Vijay Chandar's second after his Vaalu with STR, stars Chiyaan Vikram and Tamannaah in the lead roles. Vikram plays Sketch, a small-scale, mostly legitimate goon known more by his street name than his actual name; we only hear his father address him as Jeeva. Sketch, his three buddies (Sreeman, 'Kalloori' Vinoth and Vishwanath) and seniors like his boss (Hareesh Peradi) and uncle (Aruldoss) are his life until of course, Ammu (Tamannaah) makes an entry.

BehindWoods Rating - 2.25/5 - Click here for BehindWoods Rating
Sify Movies Tamil Rating - Sketch is an average commercial entertainer ideal for mass audiences and hard core Vikram fans. Let’s face it, Taman's score, and the sincerity that Vikram brings to the film are its only strengths. - Click here for Sify Rating

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After experimenting a tad with Devi, Prabhu Deva is back with an out and out comedy driven heist movie Gulaebaghavali for this Pongal festival.

It is a comedy heist film with no logic and no story either. Gulaebaghavali takes time to settle. In the movie, it is the comedy element, which takes prominence. The likes of Mansoor Ali Khan, Anandraj, Rajendran, Ramdoss, Yogi Babu, Sathyan and Prabhu Deva himself, keep churning out the laughs and especially the fun sequences that come just before the interval are the major spikes in the proceedings. Some humour scenes seem repetitive while some seem extended.

BehindWoods Rating - 2.5/5 - Click here for behindwoods rating.
Sify Tamil Movies Rating - Overall Gulaebaghavali is that film has offered us good entertainment. A perfect film this holiday festival season. - Click here for sify rating.

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Vaalu is yet another romantic action entertainer which is watchable just for STR’s energetic screen presence and his comic chemistry with Santhanam. Click here to read full movie review>>

The movie Vasuvum Saravananum Onna Padichavanga (VSOP) has everything to entertain the audience. The friendship between Arya and Santhanam is a visual treat. Their combination is anyway a hit since Boss Engira Baskaran to Raja Rani. Tamannah does a decent job. Click here to read full movie review>>

It's an amalgamation of Masters at play which works to a larger extent because of their huge efforts.  Click here to read the full movie review>>

Watch VIP within the next few days in theaters when they will be brimming to their capacities and the atmosphere ought to be carnival-like. It entertains in a big way and Dhanush fans couldn't have asked for a better treat from their star. That said, the team has taken cinematic liberties generously in their quest to present a 'paisavasool' star-vehicle. Read Full Review >>

Even though the film has some moments that can give you the chills, it’s easily subsided by the ludicrousness of the characters, which kind of makes the comedy steal the horror’s thunder when it really feels like it should be the other way around. Horror that works to a larger extent with infrequent bursts of comedy. Read More>>

Nee Enge En Anbe scores as a remake which is significantly different from the original. But the deadly impact created by Kahaani isn’t to be felt here. Read more>>